The Yanagisawa stencil Corton Deluxe to low a A (B6 model) was also a better alternative to Beuscher. A Weltklang or B&S Blue Label baritoneto low A for less money. It was not easy for the American manufactors to compete with the new and low priced brands back in late the 70's. The neck has slight damage(see pics) Sorry. It has that classic huge Buescher 400 sound. The Super 400 is definitely a fun horn to play big, fat sound with lots of dark overtones to it. Encontrars artculos nuevos o usados en Buescher instrumentos de viento-madera para banda y. This is a semi Pro Horn with 80-85 of its original lacquer The saxophone needs the octave key adjusted slightly. The Super 400 was a top of the line professional model for Buescher in later years, as was the 400 in earlier years. En eBay encuentras fabulosas ofertas en Buescher instrumentos de viento-madera para banda y orquesta. Does it means Beuscher (Selmer US) changed necks on the late 400's? Buescher 400 transitional Semi Pro Tenor saxophone Ser417049 ID10736. The earliy models had underslung octave key and double braces but I've seen late 400's necks with just underslung octave key. The Beuscher 400 necks and underslung octave key changed. There are often damaged on the body and bell. Hard to find 400's tenors in good shape for the right money. The only American pro horn that I've never owned. The Beuscher 400's (TH&C) are very good horns. Thier best models became a more intermadiate models. I sold new Beuscher 400 (low C#, B, B# leys, rear right back) but the tenors and altos had bell keys on feft side.īeuscher went in the direction as Conn in the 50's.
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